catherine martin romeo and juliet
zanytalecherryblossom-blog liked this . A tour de force! For the most part, they eschew the uniforms of their respective tribes and exude an air of innocence in the clean and classic lines of their costumes. Where Luhrmann innovates is that he sets the film in modern times and deliveres a fashionable, flashy version of the bard's tale. #romeo and juliet 1996 #production design #catherine martin #verona beach #leonardo dicaprio #claire danes #john leguizamo #mine. In an interview with the Tribeca Film Fesitval, she states that Luhrmann is a visual director and explains how that influences her work with him. The overtones of Catholic and Mexican influences give a fatalistic vibe to many scenes. With an opening sequence edited in the high-voltage style of a movie trailer, this ''Romeo and Juliet'' does not initially promise much in the way of sincerity. Hugely enjoyable. POLYCHROME  |  Boston, MA - USA  |  929-FOR-POLY  (1-929-367-7659)  |, Love is in the air! It's a daunting task. Dressed to ravishing effect as a knight and an angel, Romeo and Juliet meet here and bring the film to a much-needed mood change. TimesMachine is an exclusive benefit for home delivery and digital subscribers. Design BAZDAZZLED Holiday By CatherineMartin On September 9, 2014. He hurls the audience into a world where clothes, graffiti, signs and billboards become Shakespearean artifacts with a touch of camp. They are garbed in leather, studs, and cowboy boots, and their guns are on proud display in embellished holsters. The film moves from excitement to tragedy, which is accomplished through varying settings that complemented the acting and costumes. Unless otherwise noted, all images are the property of their respective owners. In keeping with our Valentine theme, we would like to leave you with a selection of our romantic and whimsical prints for our trend group, Fine Romance, Polychrome prints clockwise from top left: Love |  Heartstrings  |  Parasol  |  Floral, sources:  Pinterest  |  Vogue | i-D magazine   |  imdb    |  Google images. WITH: Leonardo DiCaprio (Romeo), Claire Danes (Juliet), Harold Perrineau (Mercutio), Paul Sorvino (Fulgencio Capulet), Pete Pos tlethwaite (Father Laurence) and Miriam Margolyes (Nurse). By the same logic that turned Juliet's balcony into a Manhattan fire escape for ''West Side Story,'' this film draws on watery settings so that its lovers can quite literally take the plunge, and it nearly turns the Capulets' costume ball into ''Priscilla, Queen of Verona.'' And when a tropical storm at the beach mirrors the action in its fury, Mr. Luhrmann briefly but successfully achieves what the whole film is after: a visual universe fully in tune with the characters' ageless passions. The film begins with a fight between the Montagues and Capulets, taking place at a gas station. This risky gambit collapses whenever the film becomes too shrill or runs out of new whimsy. The Montagues and Capulets are portrayed as rival gangs, and the tension between them negatively affects both Romeo (Leonardo DiCaprio) and Juliet (Claire Danes) as they embark on a secret romantic relationship defying their families long standing feud. Directed by Baz Luhrmann; written by Craig Pearce and Mr. Luhrmann, based on the play by William Shakespeare; edited by Jill Bilcock; music by Nellee Hooper; production designer, Catherine Martin; produced by Gabriella Martinelli and Mr. Luhrmann; released by 20th Century Fox. (Mercutio, played by Harold Perrineau, is now a black drag queen in a white wig.) * We intend no copyright infringement by displaying images from other sources on our site. Fortunately, this film's young lovers, played radiantly by Claire Danes and Leonardo DiCaprio, have the requisite magic and speak their lines with passionate conviction. Log in. ''I liked the original better: Franco Zeffirelli's,'' said a man behind me leaving a screening of the euphemistically titled ''William Shakespeare's Romeo and Juliet.'' Drawing on a wild cavalcade of pop iconography, he tries a fascinating array of tricks, with results that are guaranteed to be uneven. This is fitting, as both the lovers are seen as martyrs who died for the sins of their families. Pete Postlethwaite, as a tattooed Father Laurence, and Miriam Margolyes, as Juliet's zesty nurse, are among the actors who successfully compete with the scenery. We know this can't end well, and true to Shakespeare's original masterpiece, the lovers are forever star-crossed suggesting that their angelic natures are too good for this world. Juliet is luminous; she lives in knee-length fitted white dresses, evoking purity and romanticism that was prevalent in the 1800s. Although he sometimes assumes the garb of his gang, Romeo is often shown in an easy fitting dark suit with a classic white shirt untucked. Showing all 15 wins and 29 nominations. By contrast the Montague boys are a punked-out mashup of pink spiked up hair, loose colorful clothing, and riotous Hawaiian shirts. The Montagues act jokingly and don't seem to take the fight seriously, whereas the Capulets are brooding and intense; these characterizations span across the entire movie. Know what you mean about the underpowered pre-17late90s shoulder: a bottle slope approach to body outline — the Hamilton coats…, Blimey. To celebrate our Fine Romance pattern trend and of course Valentine's Day, we watched Baz Luhrmann's Romeo + Juliet. Mercutio (Harold Perrineau) even dresses in drag the night the Montague crew crashes the ball at the Capulet 's compound where Romeo fatefully meets Juliet. BEAUTIFUL WORLD: BAZ LUHRMANN AND CATHERINE MARTIN TO DAZZLE BNY THIS HOLIDAY SEASON Whether he is translating the tragic romance of Romeo and Juliet to modern times, re … The film is captivating: the skillful acting, modern set design, and fashionable costumes turn Shakespeare's classic into wild journey to its tragic destination. Throughout the film fashion is used to differentiate the youth of both families and fashion is also used to maintain the tension in the plot. In such an otherwise irreverent context, this amounts to undue pretension, since so much of the dialogue is lost and upstaged anyhow. This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. The darkness of the hurricane lent an extreme sense of sadness to Mercutio's death. Polychrome prints clockwise from top left: Want to receive Trend Updates, Newsletters, AND Special Perks. Wherefore art thou? Their goal is to rule the street. This 1996 rendition of the classic play brought Shakespeare's masterpiece to the MTV generation in a way that was relatable and exciting. Mr. Luhrmann's frenetic hodgepodge actually amounts to a witty and sometimes successful experiment, an attempt to reinvent ''Romeo and Juliet'' in the hyperkinetic vocabulary of post-modern kitsch. Luhrmann and Martin clearly devoted their time to creating pristine settings; from the elaborate party scenes to the dark, foreboding background of the beach, and they pay attention to the small details that inform the mood of the moment. Their irreverent demeanor and brash clothing is a great contrast to the dark and overbearing Capulet boys. Where is the audience willing to watch a classic play thrown in the path of a subway train? Their classic mafia inspired look is used to secure their standing as the street lords of Verona Beach. Catherine Martin's gaudy, spectacular production design is high drama in its own right. They remain rapt and earnest even when some of the film's frantic minor players might as well be speaking in tongues. As he introduces the Capulets and the Montagues as two warring Florida street gangs, screaming threats and driving cars with vanity plates (''CAP 005''), Mr. Luhrmann starts the film at full fever pitch. Among its more striking inventions are Sycamore Grove, where Romeo does his brooding, imagined as a seaside stage, and the banishment of Romeo to a trailer in this desert. WHILE Shakespeare spins, the madly flamboyant film maker Baz Luhrmann (''Strictly Ballroom'') invents a whole new vocabulary for a story of star-crossed young love. The Capulets, led by Juliet's cousin,Tybalt (John Leguizamo), are streamlined in all black garments and tough bad-boy swagger. The exuberance of the Halloween party in the large Capulet mansion set the tone for Romeo and Juliet's meeting. ''William Shakespeare's Romeo and Juliet'' is rated PG-13 (Parents strongly cautioned).


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