this bridge called my back, fourth edition
Would you like to proceed to the App store to download the Waterstones App? New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of lasting value to many diverse communities of women as well as to students from those communities. Writers and readers alike become shape-shifters, are invited to enter the shaman/witness state, to invoke power differently. A much-cited text, its influence has been visible and broad both in academia and among activists. Edition: Revised ed. This Bridge has allowed us to define the promise of research on race, gender, class and sexuality as profoundly linked to collaboration and coalition-building. Master's Tools Will Never Dismantle The 4.8 out of 5 stars 416 # 1 Best Seller in Surrealist Literary Criticism. Updated and expanded edition of the foundational text of women of color feminism. Title: This Bridge Called My Back, Fourth Edition Author: Cherríe Moraga and Gloria Anzaldúa Created Date: 2/6/2015 11:33:16 AM ‘US Third World Feminism’ requires a repeopling: the creation of planetary citizen-warriors. Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in this volume profoundly challenged, and continue to challenge, how we think about ... A bold collection of creative pieces and theoretical essays by women of color. Twenty years after its publication, we can now see how it helped to untether the production of knowledge from its disciplinary anchors—and not only in the field of women’s studies. If this item isn't available to be reserved nearby. --Sojourner"...the pieces are stunning in what they risk and reveal..."--The San Francisco Chronicle. This Bridge Called My Back, Fourth Edition: Writings by Radical Women of Color Cherríe Moraga. In this memoir-like collection, Anzaldúa's powerful voice speaks clearly and passionately. Theorising Identity and Subjectivity in Educational Leadership Research brings together a range of international scholars to examine identity and subjectivities in educational leadership in new and original ways. A. Garrido Ardila, Editor, Michael Predmore, Contributor, is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. dc.title: This Bridge Called My Back. I have loved this book for thirty years, and am so pleased we have returned with our stories, words, and attributes to the growing and resilient movement.” — Winona LaDuke (Anishinaabe), Executive Director, Honor the Earth, Community Resources for Immigrants and Advocates, Nabuco Brazilian Studies Visiting Scholars and Fellows Program, Luksic Visiting Scholars and Fellows Program, Watering the Revolution: An Environmental and Technological History of Agrarian Reform in Mexico, Reading Rio de Janeiro: Literature and Society in the Nineteenth Century, Locas mujeres: 130 directoras en América Latina, The Life and Works of Benito Pérez Galdós. The new edition also includes visual artists whose work was produced during the same period as. “[Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware.”—The New York Times In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. In 2015, the fourth edition was published by State University of New York Press, Albany. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to, and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world. Edited by Cherríe Moraga and Gloria Anzaldua, this collection of writings by “Radical Women of Color,” cracked open the manicured shell of white feminism, revealing its racist, homophobic underbelly. Bronze Medalist, 2016 Independent Publisher Book Awards in the Anthologies Category Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. The Second Sex (Vintage Feminism Short Edition), Existentialism: A Very Short Introduction, The Beauty Myth (Vintage Feminism Short Edition). I have loved this book for thirty years, and am so pleased we have returned with our stories, words, and attributes to the growing and resilient movement.”. Poetry, Bibliography, Creative nonfiction, American literature -- Minority authors -- Women authors, Feminism -- Literary collections, Minority women -- Literary collections, Radicalism -- Literary collections, SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies, Social Science / Ethnic Studies / African American Studies, Social Science / Feminism & Feminist Theory, Social Science / Women's Studies, Women -- Literary collections -- United States. New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of ... Over twenty years after the ground-breaking anthology This Bridge Called My Back challenged feminists to envision new forms of communities and practices, Gloria E. Anzaldúa and AnaLouise Keating have ... By Aurora Levins Morales, Rosario Morales. ”. Paperback. A much-cited text, its influence has been visible and broad both in academia and among activists. Each selection deepens our understanding of an important cultural theorist's lifework. This Bridge Called My Back: Writings by Radical Women of Color, State University of New York (SUNY) Press. The site uses cookies to offer you a better experience. I have loved this book for thirty years, and am so pleased we have returned with our stories, words, and attributes to the growing and resilient movement.” — Winona LaDuke (Anishinaabe), Executive Director, Honor the Earth Praise for the Third Edition “This Bridge Called My Back dispels all doubt about the power of a single text to radically transform the terrain of our theory and practice. Addeddate 2017-01-24 20:46:04 Identifier in.ernet.dli.2015.182997 Identifier-ark ark:/13960/t5k98mp3f Ocr ABBYY FineReader 11.0 Ppi 600 Scanner Internet Archive Python library 1.1.0. plus-circle Add Review. The daughter, Cherríe Moraga, is a brilliant, pioneering, queer Latina feminist. Literary Nonfiction. This item can be requested from the shops shown below. "This memoir's beauty is in its fierce intimacy." Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, "the complex confluence of identities--race, class, gender, and sexuality--systemic to women of color oppression and liberation.". Then I discovered it was out of print. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. 4.8 out of 5 stars 887 # 1 Best Seller in North Africa History. And perhaps most important, it has offered us strategies for transformative political practice that are as valid today as they were two decades ago.” — Angela Davis, University of California, Santa Cruz “This Bridge Called My Back has served as a significant rallying call for women of color for a generation, and this new edition keeps that call alive at a time when divisions prove ever more stubborn and dangerous. This bridge called my back : writings by radical women of color / Published: (1983) This bridge we call home : radical visions for transformation / Published: (2002) Writing red : an anthology of American women writers, 1930-1940 / Published: (1987) The pieces are arranged chronologically; each one is preceded by a brief introduction. The book highlights empirical, theoretical and conceptual research that offers new ways of thinking about the work of educational leaders. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Click and Collect from your local Waterstones or get FREE UK delivery on orders over £25. Weight: 599 g This Bridge…transits our dreams, and brings them to the real.”, “Immense is my admiration for the ongoing dialogue and discourse on feminism, Indigenous feminism, the defining discussions in women of color movements and the broader movement. Born in the Río Grande Valley of south Texas, independent scholar and creative writer Gloria Anzaldúa was an internationally acclaimed cultural theorist. I cherished it and returned to it often but somewhere along the line I loaned it to someone and it didn't come back. (2 of 3 readers found this comment helpful). Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. The authors explore a full spectrum of present concerns in over seventy pieces that vary from writing by new talents to published pieces by Audre Lorde, Joy Harjo, Norma Alarcón and Trinh T. Minh-ha. “Immense is my admiration for the ongoing dialogue and discourse on feminism, Indigenous feminism, the defining discussions in women of color movements and the broader movement. As the author of Borderlands / La Frontera: The New Mestiza, Anzaldúa played a major role in shaping contemporary Chicano/a and lesbian/queer theories and identities. This book collects the most important statements of the postmodern theory, including the classics essays of authors such as Lyotard, Haraway, Foucault, and Rorty. Feminist Geneaologies, Colonial Legacies, Democratic Futures provides a feminist anaylsis of the questions of sexual and gender politics, economic and cultural marginality, and anti-racist and anti-colonial practices both in the "West" and in the "Third World." The Wretched of the Earth Frantz Fanon. Try another location. Following the initial email, you will be contacted by the shop to confirm that your item is available for collection. As her mother’s memory fails, Moraga is driven to unearth forgotten remnants of a U.S. Mexican diaspora, its indigenous origins, and an American story of cultural loss. 65,000 copies in print. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. This Bridge Called My Back, Fourth Edition Author: Cherríe Moraga and Gloria Anzaldúa Created Date: 2/6/2015 11:33:16 AM Writers and readers alike become shape-shifters, are invited to enter the shaman/witness state, to invoke power differently. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of … Paperback. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of …

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